Posts Tagged ‘iwai shunji’

Iwai Shunji Films On Blu-ray

Posted By yonghow on January 31st, 2013

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Love letter book

Posted By yonghow on June 20th, 2006

A recent 16mm film shoot filling up 2 weekends have had me appreciate the value of sleep in a way I had not since the army days; let’s hope at least the rushes turn out decent. As we wrap up things on this shoot preproduction starts for my final year project, in between a serious and earnest lookout for a job opening here in Tokyo. Amidst these hustling events just as I am about to lose sense of all time and purpose an appropriately timed present from my Korean sharemate ushers me back to one of my most cherished creative inspiration; a book procured from a 2nd hand book store; a Iwai Shunji’s Love Letter photobook, for less than 1.50 singapore dollars. To me, its true worth can hardly ever be calculated.

Posted in Film, Life
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Iwai Shunji’s Love letter

Posted By yonghow on January 10th, 2006

Ok, the person in the bottom photo’s not me, but its going to be one day, I promise you that. (You just wait Jason. Ha. *green with envy*) Still not getting the picture ? Watch Iwai Shunji’s Love Letter.

Posted in Film, Rants
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Iwai Shunji’s Hana and Alice

Posted By yonghow on June 27th, 2005

In one of the ending sequences from Iwai Shunji’s Hana and Alice, Alice, one half of the film’s 2 main protaganists, turns up for a teenage magazine covergirl audition. Having been scouted by a talent agency early in the film but with several botched auditions so far ( including an excruciatingly hilarious Kitkat CM screentest ), she attends unenthusiastically, nonchalant at best. As her turn arrives she is quizzed on by the young hotshot director ( a cameo neatly performed by Osawa Takao, star of Sekainochushinde, aiwosakebu )about what she can do, but is quickly dismissed after replying “ballet”.

Unbeknownst to herself, she quips : ” Can I dance for real ? ” Taken aback by her spontaneity the director nods, and she arabesques away, the audition long forgotten as she lost herself in her own world of ballet. This burst of creative emancipation reminds me fondly of my own interview ( with a panel of 10 judges ) during my scholarship selection, for when quizzed on matters of filmmaking I had started out quivering but was soon taken over by a true sense of affection for the subject, and it can be truly wondrous to care passionately about something. Well, so I think.